The Baby Tooth Isn’t Loose — Brendon Kahn Captures the Fault Lines in Human Nature












Brendon Kahn is one of the 12 photographers shortlisted by photobook publisher Void to run for the opportunity of having their work made into a publication, which they offered as jurors of a recent #FotoRoomOPEN edition.
28 year-old American photographer Brendon Kahn participated in #FotoRoomOPEN | Void edition with a project called The Baby Tooth Isn’t Loose. Here’s the project statement:
“Today’s reality is guided by competition alongside the fierce longing to ascend into what many call PARADISE. What lies in this pursuit are strangely manufactured channels of both sincerity and unsettling moments that make us question our ultimate wishes. These uncomfortable forms of excess, desire, and hope to live forever, tie us together but also create further separation than ever before in this consummate dance to the finish line. The Baby Tooth Isn’t Loose dives into an estranged exploration of the fault lines in human nature. This visual process reflects a collective ridiculousness that inescapably marries both the absurd and ironic. This translation is an experiment where the life of the work is guided by dissimilarity while ultimately living inside the same uncomfortable zoo. Within these lives, confusion plays a consistent role where the uncertainty drives an energy that makes it continuously more difficult to consider what is real.”
Keep looking...

FotoFirst — Gender Shifts Are Terrifying American Straight White Men, Shawn Bush’s Photos Say

FotoFirst — Federico Vespignani Follows a Youth Gang of One of the World’s Most Violent Cities

Atsushi Momoi Uses His Computer’s Screensaver to Visualize How Memory Works

Sem Langendijk Documents The Squatters That Established Their Community in Amsterdam’s Docklands

FotoFirst — Michael Radford Researches the Visual Foundations of the ‘Machine of Whiteness’

FotoFirst — Yana Kononova Explores How Weather Changes Can Affect Our Mood

Indoor Voices — Hannah Altman Takes Healing Portraits of Herself with Her Mother
