Most Seen Series of April 2017
The most seen series out of all those we published this April was Origins, a set of fascinating black and white images shot by American photographer Rachel Jump. The photographs embody fragments of memories from Rachel’s own personal life, and her relationships with her loved ones.
The second most seen series this April was Neither Beginning Nor End by Malaysian photographer Peter Teh: at 42, Peter finds the courage to come to terms with his identity in discreet but powerful images. Irish photographer Éanna de Fréine—the juror of our recently closed open call Human Environments—follows with Tales from Beneath the Arches, a landscape photography series that examines the über-urbanized cities of Taiwan. Fourth place for English photographer Adrian Saker and his Subtopia, a dystopic look at life in suburbs across the UK. Indian photographer Bharat Sikka closes the top five with The Marlborough Theatre, a series of staged portraits of members of the LGBT community in the city of Brighton.
Take a second look at April’s most seen series and sign up for our weekly newsletter to make sure you never miss any bit of our future features.





Keep looking...
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FotoCal — Photography Awards, Grants and Calls for Entries Closing in November 2019
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“They Live and Work and Breathe and Die Right on the Edge” — Portraits by Tracy Chandler
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FotoFirst — Tourism, Romance and Identity Come Together in Farah Foudeh’s Series ‘Just Because I Don’t Cry Doesn’t Mean I Am Strong’
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Roselena Ramistella’s Lyrical Photographs Capture the Communities Living in Rural Sicily
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Tomoya Imamura’s Photos Are Filled with Symbols Referencing Hungary’s History
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In These Staged Images, Rydel Cerezo Explores His Relationship with the Catholic Church
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We Are the Ones Turning — Ana Zibelnik Reflects on the Ideas of Death and Time
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