Cameo
The Edge — Philip Cheung Photographs the New Face of the United Arab Emirates
Women of God — Sara Hylton Portrays the Indian Women Marked by the Stigma of ‘Untouchability’
Inside the Hotel Polana, a Decaying Resort That Used to Be a Base of the Communist Party
House of Surprises — Kathryn Allen-Hurni’s Portraits from the Twins Days Festival
Locals — Olya Ivanova Portrays the People of Russia’s Small Towns
Farhad Rahman Documents the Shifting Landscapes of Myanmar’s Ancient Capital City
Plage Isolée — Raul Guillermo Captures the Melancholic Beauty of France’s Empty Coasts
Infinite Perimeter — Michalis Poulas Translates Greece’s Times of Crisis into Downbeat Photos
Heather Burn — Mat Hay Shares an Unromantic Vision of the Scottish Highlands
Beyond the River, Across the Sea — Xinran Gu References a Story of Chinese Migration
Eliza Bourner Questions the Sexualization of Young Girls
Neta Dror Portrayed These Girls When They Were 15 Years Old, and Then Again at 20
Soon to Be Gone — Fragments of Daily Life in Lithuania’s Disappearing Rural Villages
Everything Was Forever — Ollie Ma’ Conceptualizes the Inequality of Capitalism
