Most Seen Series of April 2017
The most seen series out of all those we published this April was Origins, a set of fascinating black and white images shot by American photographer Rachel Jump. The photographs embody fragments of memories from Rachel’s own personal life, and her relationships with her loved ones.
The second most seen series this April was Neither Beginning Nor End by Malaysian photographer Peter Teh: at 42, Peter finds the courage to come to terms with his identity in discreet but powerful images. Irish photographer Éanna de Fréine—the juror of our recently closed open call Human Environments—follows with Tales from Beneath the Arches, a landscape photography series that examines the über-urbanized cities of Taiwan. Fourth place for English photographer Adrian Saker and his Subtopia, a dystopic look at life in suburbs across the UK. Indian photographer Bharat Sikka closes the top five with The Marlborough Theatre, a series of staged portraits of members of the LGBT community in the city of Brighton.
Take a second look at April’s most seen series and sign up for our weekly newsletter to make sure you never miss any bit of our future features.





Keep looking...

Incidental View — Andy Feltham Finds Unordinary Atmospheres in Ordinary Landscapes

Kensington Blues — Humanizing Portraits of Drug Addicts and Sex Workers by Jeffrey Stockbridge

Francesca De Chirico’s Powerful Work Takes a Deeper Look at Transsexuality

FotoFirst — Jesús Madriñán Takes Studio Portraiture out of the Studio, into Rome’s Nightlife

Beyond Laponia — Christian Liliendhal Brings Us to the «Last Wilderness of Europe»

The Black Mountain — Antoine Bruy Explores an Impoverished Region in the North of France

FotoFirst — William Lakin Portrays the Young Brits Working in Vacation Resorts for the Summer
