FotoWeb – This Week’s Ten Best Photography Links











#FotoWeb is our weekly guide to the best of photography on the web. This week we loved Ann-Sophie Guillet’s stunning portraits questioning the common definition of gender roles, the subtlety in John MacLean’s street photography, and the “messy”, very original pictures of photographer Leonard Suryajaya, among others.
Sign up to our weekly newsletter to receive #FotoWeb in your email inbox, or see the previous collections here.
Inner Self
Photos by Anne-Sophie Guillet. Via Phases.

Photographer Spotlight: John MacLean
Photos by John MacLean. Via Booooooom.

Closed for Business – Images from the Graveyard of Romanian Industries
Photos by Ioana Cirlig and Martin Raica. Via The Calvert Journal.

Sit Silently
Photos by Katrina Kepule. Via Thisispaper.

Different Blood Type
Photos by Leonard Suryajaya. Via Lenscratch.

Sami
Photos by Felix Odell. Via Ain’t Bad Magazine.

Horsehead Nebula
Photos by Matthieu Litt. Via YET.

L’Enfant-Femme
Photos by Rania Matar. Via LensCulture.

Walé, Second Look
Photos by Patrick Willocq. Via GUP.

Unsentimental Portraits of Ireland’s Most Notorious Traveling Communities
Photos by Chris Barr. Via The British Journal of Photography.

And here’s a few highlights from our own posts of this week:
Lago – Ron Jude Returns to the Desert He Grew Up In

Viktorija Eksta Found an Abandoned House and Wore the Clothes of the Woman Who Lived There

Bird, Bald, Book, Bubble, Brick, Potato – The Dark Humor of Marton Perlaki

Keep looking...

Afterparty — Jussi Puikkonen Photographs Party Venues After the Parties Have Ended

Inzajeano Latif Has Been Taking Portraits of the People of Tottenham For Over Ten Years

FotoFirst — Gender Shifts Are Terrifying American Straight White Men, Shawn Bush’s Photos Say

FotoFirst — Federico Vespignani Follows a Youth Gang of One of the World’s Most Violent Cities

Atsushi Momoi Uses His Computer’s Screensaver to Visualize How Memory Works

Sem Langendijk Documents The Squatters That Established Their Community in Amsterdam’s Docklands

FotoFirst — Michael Radford Researches the Visual Foundations of the ‘Machine of Whiteness’
